After spending thirty-six years in the working world, I am learning to "live outside the lines," become less regimented, and explore creative projects. This blog records my experiences with long-form writing, art, including stained glass and painting, and travel. I'm not a natural at making loud noises in today's "selfie" world, so making this public is a stretch. That's probably a good thing.
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Book Revisions: Round 1
I've made it through the entire manuscript for a "first draft" revision. I'm not sure I hate it as much as I thought I might. I have really worked to make Elvira a less cardboard character, at least from the perspective of other characters. I'm worried it's too simple a story. And of course, there aren't any vampires.
I took a class at D&L last month and learned how to make leaded stained glass. In other words, use lead came to assemble the pieces instead of copper foil. The lead came method is a thousand years old and is used by artisans worldwide. But, as one might expect, working with lead does present some health hazards, so it is a bit more persnickety than the copper foil method, which is what I learned several years ago. (Most new beginners in stained glass learn the copper foil method.) The only thing I don't like about the lead came method is stretching the lead itself...I still don't have the hang of it. But I did love using the lead to piece everything together. For some reason, the process was more meditative than copper foil. Then, the mudding process (the "glue" that holds the piece together) is messy, but it works. For some reason, the whole process feels more organic. Also, you don't have to solder as much, which makes me happy. I'm not usually a per
I finally finished my largest project yet, a supersized window valence. I need to figure out how to take a better photograph, one that captures the movement in the clear glass. Master Bathroom Window Valence